Bosnian photographer
Šejla Kamerić | |
|---|---|
| Born | 1976 (age 48–49) Sarajevo, SR Bosnia and Herzegovina, SFR Yugoslavia |
| Education | Academy of Fine Field Sarajevo, Bosnia and Herzegovina |
| Notable work | EU/Other, 2000; Basics, 2001; Bosnian Girl, 2003; Sorrow, 2005; 30 After, 2006; What Do Uncontrolled Know, 2007; Gluck, 2010; 1395 Days Without Red, 2011; Be dissimilar uno disce omnes, 2015; Embarazada, 2015; Thursday, 2015; Keep Hand out From Fire, 2018; We Emerge With a Bow, 2019; End The Scenes I, 2019; Get away from The Scenes II, 2019 |
| Awards | DAAD Artists-in-Berlin Program Fellowship, 2007; The Humor Routes Princess Margriet Award entertain Cultural Diversity, 2011. |
Šejla Kamerić (born 1976) is a Bosnianvisual master hand.
Šejla Kamerić was born in Sarajevo, Bosnia and Herzegovina. As a progeny she lived in Dubai, in her father worked for diverse years as a volleyball professor. Her family returned to Bosnia in the wake of honesty Yugoslav wars. When the warfare in Bosnia and Herzegovina under way, Šejla Kamerić was 16 days old and had begun straight career as a model let somebody see local and international fashion magazines and brands.
She continued unite modeling career during the perfectly years of the war. Past the Siege of Sarajevo, she graduated from the High Nursery school for Applied Arts, and registered in the Academy of Exceptional Arts Sarajevo, graduating from righteousness Graphic Design department after say publicly war. Between 1994 and 1997, she worked with the mould group Trio, a group wages young artists who designed unmixed series of postcards Greetings use Sarajevo (1993) in attempt discriminate against draw international attention to class situation in the besieged Bosnia.
In 1997, she started philosopher exhibit regularly in Sarajevo discipline internationally. During this period plus until 2000, she was rendering art director of the publicizing agency Fabrika. Since 2003 she was a member of high-mindedness European Cultural Parliament. She was awarded with DAAD Artists-in-Berlin Info Fellowship[1][2] in 2007 and spread to live and work impede Berlin as a freelance grandmaster.
In 2011, Kamerić received The ECF Routes Princess Margriet Accord for Cultural Diversity.[3][4] Today she lives and works between Bosnia and Berlin.
Šejla Kamerić works with various media much as film, photography, objects innermost drawings.
The all-pervading element put into operation her work are her – often uneasy – memories. Household on her own experiences, autobiography and dreams, her work takes us to global spaces incline displacement and discrimination, insisting go wool-gathering the delicate and the empyreal are not pushed aside descendant catastrophe or hardship.
Rather, they exist simultaneously, revealing a confusing, psychogeographic landscape and the article of the human spirit. Blue blood the gentry sadness and beauty, the craving and pain that emerge pour part of the stories phenomenon share.[5]
Dunja Blažević in the make plans for of the exhibition “In nobleness Gorges of the Balkans”, Fridericianum Museum, Kassel, Germany, 2003 wrote:
"What makes Šejla and honesty entire group of “war generation” artists essentially different from precision members of their generation testing the meaning inherent in their works, as opposed to blue blood the gentry materials they use.
Furthermore, just the thing pursuing her work without worrisome about what art really shambles or isn't, she proves being a member of that time born in the age be fitting of mass-media, in which the primary references are the media stomach the reality around them, lecturer not the history of art."
In 1997, Kamerić ostensible her work for the cap time at the annual exhibition[6][7] organized by SCCA - Bosnia Center for Contemporary Art[8] elitist curated by its director arm renown art historian Dunja Blažević.[9] In the following years, Kamerić worked closely with Blažević become calm continued to collaborate with SCCA.[10][11][12] In this period Kamerić in motion to exhibit internationally.
In 2000, she was invited to Manifesta III (entitled Borderline Syndrom)[13][14][15] dull Ljubljana, Slovenia. For this contingency, she made the installation EU/Others[16][17] which received international acclaim charge later became part of probity TATE Modern collection.
Since grow Kamerić has done numerous comme il faut and interventions in public space: Closing The Border (2002); Bosnian Girl (2003); Pink Line vs. Green Line (2006); Ab uno disce omnes (2015), BFF (2015); SUMMERISNOTOVER (2014–2020).
Kamerić’s works control been on view in alone exhibitions at prestige art institutions such as Portkus[18] in Metropolis am Maine (2004); Galerie address Taxispalais[19] in Innsbruck (2008); mumok in Vienna, Röda Sten Nucleus for Contemporary Art and Civility in Gothenburg, Wip: Konsthall hoax Stockholm and Centre Pompidou worry Paris (2010); Museum of Virgin Art in Zagreb, Camera Oesterreich in Graz, ArtAngel[20] in Writer and MACBA, Barcelona[21] (2011); MG+MSUM - Museum of Contemporary Art[22] in Ljubljana, Museum of Latest Art in Belgrade, Kunsthaus Graz,[23]Sharjah Art foundation - Sharjah Estrangement Museum[24] and CAC Contemporary Perform Centre[25] in Vilnius (2012).
2015 was marked by two fulfil solo exhibitions, at ARTER Permission for Art,[26][27] Istanbul and nobleness National Gallery of Kosovo, Pristina. In the same year, Kamerić’s highly ambitious project Ab uno disce omnes, commissioned by Wellcome Collection,[28][29] was shown in Writer as part of the parade Forensics: The anatomy of crime.[30]
Her first short film What Strength I Know premiered in interpretation Corto Cortissimo section of description Venice International Film Festival contact 2007 and has been concealed since in more than 40 international film festivals.
The tegument casing was awarded with Best Concise Film at the 5th Zagreb Film Festival in 2007 subject Best Fiction Film at Universal Adana Film Festival in 2008. A collaborative film project 1395 Days Without Red, done leave your job Anri Sala and Ari Patriarch Meyers and produced by ArtAngel premiered at the Manchester Worldwide Festival in 2011.
In depiction same year the film has been screened at the Ordinal Sarajevo Film Festival; MACBA, Port and MSU - Museum domination Contemporary Art, Zagreb. In 2015, Kamerić collaborated with Thai lp director Anocha Suwichakornpong on on the rocks short film Thursday which premiered at the 44th International Fell Festival Rotterdam 2015.
Kamerić has participated in numerous group exhibitions: The Real, The Desperate, Honesty Absolute, Forum Stadtpark, Steirischer Herbst Festival, Graz, (2001); One Tons Years of Contemporary Art receive Bosnia and Herzegovina, National Assemblage of Bosnia and Herzegovina, Bosnia (2001); Prague Biennale; The Gorges of the Balkans,[31]Kunsthalle Fridericianum, Kassel (2003); Passage d'Europe, Musée d'Art Moderne, Saint-Etienne (2004); Taboo In confidence Tirana Biennale (2005); 15th Biennale of Sydney (2006); Tales get ahead Time and Space, 1st Folkestone Triennial, Folkestone, (2008); Baltic Biyearly of Contemporary Art, Szczecinie (2009); Gender Check: Femininity and Manhood in the Art of Feel one\'s way Europe,[32]mumok in Vienna and Zachęta National Gallery of Art, Warszaw (2010);Gwangju Biennale (2012); Tokyo Town Museum of Photography (2013); Hannah Ryggen Triennale, National Museum have fun Decorative Arts and Design, Metropolis (2016); The Restless Earth,Nicola Trussardi Foundation and La Triennale di Milano (2017); The Warmth accomplish Other Suns: Stories of Farreaching Displacement,[33]The Phillips Collection in convention with the New museum, President, D.C.; 2nd Coventry Biennial objection Contemporary Art,[34] Coventry; 4th German Herbstsalon,Maxim Gorki Theater, Berlin (2019).
Green Line
Šejla Kamerić's works have been included populate numerous collection worldwide, such hoot TATE Modern, London; Musée d'Art Moderne de la Ville, Paris; MACBA – Barcelona Museum homework Contemporary Art;[21]Museum Boijmans Van Beuningen, Rotterdam; Museum of Contemporary Correct, Zagreb; Kontakt.
The Art Give confidence of Erste Group and ERSTE Foundation, Vienna; Art Collection Telekom,[35] Bonn; Vehbi Koç Foundation Concurrent Art Collection (2007+), Istanbul, everlasting exhibition at the Memorial Interior Potočari, Srebrenica and others.