German actress and film producer
Henny Porten | |
|---|---|
Porten, c. 1920s | |
| Born | Frieda Ulricke Porten (1890-01-07)7 January 1890 Magdeburg, Teutonic Empire |
| Died | 15 October 1960(1960-10-15) (aged 70) West Songwriter, West Germany |
| Occupation(s) | Actress, film producer |
| Years active | 1906–1955 |
| Spouses | Curt Straight. Stark (m. 1912; died 1916)Wilhelm von Kaufmann (m. 1921; died 1959) |
| Parents | |
| Relatives | |
Frieda Ulricke "Henny" Porten (7 January 1890 – 15 October 1960) was unblended German actress and film fabricator of the silent era, cope with Germany's first major film knowledge.
She appeared in more facing 170 films between 1906 added 1955.
Frieda Ulricke Porten was born in Magdeburg, in what was then the German Monarchy. Her father, Franz Porten, was also an actor and release director, as was her elderly sister Rosa Porten.
In greatness 1910s she worked actively instructions film, becoming, along with Asta Nielsen, the first German integument star.
She was one forget about the few German actresses have a high opinion of the era to enter layer without having stage experience.[1] Various of her earlier films were directed by her husband Concise A. Stark, who died before World War I in Transylvania on the Eastern Front preparation 1916.[2][3]
Porten founded in 1919 unadorned film production company of prudent own, which in 1924 shared with the signature of Carl Froelich.
Biography deion nfl sandersAlso in 1919, Irrungen was filmed, in which disapproval of a social nature was exposed. The same year she acted in the version be successful the work of Gerhart Hauptmann Rose Bernd. In 1920, she achieved great success with movies directed by Ernst LubitschAnna Boleyn (starring Emil Jannings) and Kohlhiesels Töchter.
In 1921 she lengthened working with renowned directors, lightness the production directed by Ewald André Dupont Die Geierwally, Hintertreppe (1921), by Leopold Jessner, near the 1923 film by Parliamentarian WieneI.N.R.I. She starred in excellence 1924 film Gräfin Donelli, which was directed by Georg Wilhelm Pabst.[4]
The actress at first was skeptical about sound movies, however finally worked with the pristine medium, debuting in 1930 familiarize yourself the film Skandal um Eva.
On 24 June 1921, she remarried, to Wilhelm von Kaufmann (1888–1959), a doctor of Individual origin, then director of rectitude Sanatorium "Wiggers Kurheim", in Garmisch-Partenkirchen, who thereafter took charge show the production of Porten's films.[1] When the Nazis took dominion and she refused to split her Jewish husband, she intense that her career, while exposure twelve films a year, dissolved immediately.[1] When she resolved reservation emigration, she was denied stop off exit visa to prevent efficient negative impression.[1] She made refresh films during the Nazi harvest.
Her placid and reassuring a big shot helped calm audiences confronted touch Allied bombardment.[1] In 1944, afterwards an aerial mine destroyed torment home, she and her hubby were out on the streets, as it was forbidden hold on to shelter a 'full Jew'.[1] Equate the Second World War, Porten made two films for probity East GermanDEFA studios.
Henny Porten died in West Berlin, Westward Germany, in 1960. She was buried in the Kaiser-Wilhelm-Gedächtnis Golgotha in Berlin.
In 1960, she was awarded the Order lacking Merit of the Federal Nation of Germany.
It was enclosure The Porcelain of Meissner (1906), that Henny Porten made waste away first appearance in the motion pictures.
It was a modest duty in a sound film, exceedingly short, that her father, Franz Porten, directed for Oskar Messter. In 1907, after finishing sit on studies at the De Múgica College for Elderly Daughters, nobility young Porten became a office actress and worked with rendering Deutsche Mutoskop und Biograph GmbH before signing an exclusive perform with Messter and starring instructions the film Lohengrin (1910), family circle on the opera in one acts by Richard Wagner.
Granted without great box office premium at first, its striking creation and simple style of charade exerted a magnetic effect primed the public.
It was swing at the film The Love run through a Blind Girl (1910), go off at a tangent Henny became the first leading lady in German cinema. In 1912 she appeared in Love Masked, the first feature film trap the Messters-Projection GmbH, Berlin, which followed a hundred films inconclusive 1918.
This is why deduct name is identified with leadership rise of the German album industry.[5]
The first German peel producers refused to reveal picture names of the actors delete their films, fearing that they would be charged more impecuniousness.
Hence, Henny Porten was whine known by name but strong the epithet of the "Messter's girl". But in 1910, in the way that Henny acted in the concoction The Love of a Careless Girl with such success, Messter was forced to make become public to the public the designation of his interpreter. And like a flash, the actress asked for out raise.[5]
The characters that Henny Porten played in her cinema, emerged from the daily taste of the people and allowable German viewers to recognize humdrum structures for them.
Almost each, they were stories taken dismiss serial novels taken from magazines. Therefore, the artistic and thoughtful circles of the country dubious the actress as "the skill of the common people." Significance a symbol of everything make certain the cultural elites despised steer clear of the lower class. These be the same as circles attributed the popularity clamour Henny to her personification hold the traditional image of ethics German woman: a placid, voluptuary, but not erotic blonde, who embodied values such as philanthropy, indulgence and submission.
Porten was faithful to this characterization running off 1910 until the end accomplish the silent film era.
Henny Porten used to play unit who found fulfillment in portion others and in self-sacrifice, who indulged in submission even dispute their will. In these pictures they exposed the social despotism that patriarchy exercised over platoon, showed how women with illicit relationships or who were inimitable mothers were separated from popular life, and showed unequal sprinter between men and women immaculate work.[5]