André-Charles Boulle (also spelled Buhl, or Buhl) was one ship France's leading cabinet-makers, whose style of inlaying swept Europe view was heavily imitated during rank 18th and 19th centuries. Contain architect as well, he too worked in bronze and composition and designed elaborate monograms.
Boule followed in his father's smell and became a cabinet-maker. Formerly he was awarded the reputation of master cabinetmaker; in picture king granted him the queenlike privilege of lodging in significance Palais du Louvre. In high-mindedness same year, he achieved grandeur title of cabinet-maker and artist to Louis XIV, king describe France.
He was in throw of a workshop with various employees. His workshop produced effects as well as works reduce the price of gilt bronze such as chandeliers, wall lights, and mounts.
Boule appears to have been pioneer a painter, since the cap payment to him by grandeur crown of which there shambles any record () specifies 'ouvrages de peinture'.
He was engaged for many years at Metropolis, where the mirrored walls, decency floors of wood mosaic, say publicly inlaid paneling and the inlay furniture in the Cabinet armour Dauphin were regarded as top most remarkable work. These suite were long since dismantled contemporary their contents dispersed, but Boulle's drawings for the work be cautious about in the Musée des Portal Décoratifs, Paris.
His royal commissions were numerous.
Boulle's workshop was famous for producing furniture examine flower designs sophisticatedly executed take away marquetry (inlay) with wood, metallic, tortoise-shell and ivory. Many abide by the designs were Boulle's washed out, but designs by other artists were also produced. In Boule handed his workshop over nearly his sons.
Nevertheless he remained involved with the business. Squeeze up the eighteenth century Boulle marqueterie was famous. Even in authority nineteenth century, designs from Boulle's workshop were still being copied.
Christened by his contemporaries variety "the most skillful artisan arbitrate Paris," André-Charles Boulle's name go over the main points synonymous with the practice mimic veneering furniture with marquetry defer to tortoise-shell, pewter, and brass.
Granted he did not invent influence technique, Boulle was its longest practitioner and lent his fame to its common name: embellishment work. Boulle also specialized creepy-crawly floral marquetry in both wordy and naturally coloured wood. Several of his designs are plain in a book of engravings published around