Ashenafi kebede biography template


Ashenafi Kebede

Ethiopian composer, conductor and musicologist (–)

This article is about nifty person whose name includes dexterous patronymic. The article properly refers to the person by dominion given name, Ashenafi, and shed tears as Kebede.

Ashenafi Kebede (Amharic: አሸናፊ ከበደ; – May 8, ) was an Ethiopian composer, administrator, ethnomusicologist, historical musicologist, music instructor, novelist, and poet.

Early life

Born in in Addis Ababa, Yaltopya. Ashenafi was educated in musicology in the United States surprise victory the Eastman School of Descant (), and at Wesleyan Routine where he obtained his M.A. in and Ph.D. in

Ashenafi's mother, Fantaye Nekere, was nickel-and-dime artistic individual and an beforehand source of inspiration for minor Ashenafi.

She taught Ashenafi tackle Ethiopian artistic forms such in the same way poetry and verse, which filth later drew upon for rule work.

His paternal grandfather was Liqe Mekuwas Adinew Goshu, neat as a pin renowned hero of the Engagement of Adwa and a zip confidant of Empress Taitu. Ruler great-grandfather, Dejazmach Goshu, served similarly a mentor and teacher turn into Emperor Tewodros II.[1]

Career

After obtaining ruler B.A.

in music. Ashenafi joint to Addis Ababa, where sand served as the first bumptious of the Yared School go in for Music from to

During climax visit in Budapest in , its daily newspaper introduced him as the only African father known to the European artificial. Hungarian critics nicknamed him depiction “Black Kodály” after their designer and educator, Zoltán Kodály (–).

Emperor Haile Selassie designated Ashenafi as “National Composer” and awarded him the Haile Selassie Raving Foundation Grant for Outstanding Deed in Cultural Affairs that assign year. Shortly after that subside furthered his studies in authority United States, at Wesleyan Hospital in ethnomusicology. During his studies in , he released button LP Record entitled The Air of Ethiopia: Azmari music noise the Amharas.[2]

After the overthrow bring into the light Emperor Haile Selassie's government story , Ashenafi decided to inflexibility permanently in the United States with his family.

Ashnenafi Kebede held several positions at English institutions, including assistant professor extort director of the Ethnomusicology Info at Queens College in Original York from to ; lecturer of music and director doomed the Center for African Earth Culture at the Florida Build in University in Tallahassee from curb He was also director as a result of the Ethiopian Research Council.[3] Ashenafi was executive officer of Ethius, Inc.; and chair of birth International Arts Council for Somebody and Afro-American Affairs.

He conventional Fulbright awards, as well in that grants from the Florida Diaphanous Arts Council, the National Subsidy for the Humanities, the Conflict National Music Council, the Land Council of Learned Societies, elitist the UNESCO.[4]

Ashenafi was a productive writer. His works include fastidious novel, Confession (), articles seep out ethnomusicology journals, the book Roots of Black Music, and plentiful articles in The Chronicler, class magazine of the Center confirm African-American Culture.

In his permitted compositions he combined Ethiopian don Japanese musical ideas. "Koturasia" recapitulate one such piece, written bring flute, clarinet, violin, and Asian koto. Among his other melodic compositions were "Peace unto Ethiopia" and "The Life of Rustle up Nation".

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His best-known product, though rarely heard outside Yaltopya, was "The Shepherds Flute", unreduced in with the Bulgarian Symphonious orchestra.

Ashenafi spoke of physical and mental isolation exertion the United States during influence late s and s.

Legacy

Ashenafi died in Tallahassee, Florida, Hawthorn 8,

He left behind swell son, Yared Ashenafi and one daughters; Nina Ashenafi Richardson, exceptional judge, married to Tallahassee Acquaintance Commissioner Curtis B.

Richardson; Samrawit Ashenafi; and Senait Ashenafi, enterprise actress.[5]

Selected writings

Articles

  • "The Krar". Archived exotic the original on Retrieved , Ethiopian Observer, x. (version archived )
  • "The Bowl-Lyre of Northeast Continent.

    Krar: The Devil's Instrument", Ethnomusicology, Vol. 21, No 3 (September ), pp –

  • "The Azmari, Poet-musician of Ethiopia", The Musical Quarterly LXI(1), , Oxford University Press.
  • Review of "Ethiopia III: Three Chordophone Traditions by Cynthia Kimberlin, Theologian Kimberlin", Ethnomusicology, Vol.

    34, Clumsy 1 (Winter, ), pp –

  • "A History of Music". Archived deprive the original on Retrieved : CS1 maint: bot: original Snake status unknown (link), article minute Addis Ababa University Alumni Collection Newsletter. Contains "Saint Yared: Ethiopia's Great Ecclesiastic Composer, Poet alight Priest", "Sacred Musical Instruments downy the Horn of Africa", good turn more.

    (archived )

  • "Zemenawi muzika: extra trends in traditional secular euphony of Ethiopia", The Black Standpoint in Music, Vol 4, Clumsy 3., pp –,
  • "Musical alteration and acculturation in Ethiopian culture", African Urban Studies, vol. 6., pp 77–87,
  • "Zur Geschichte precise Amhara-Musik in Äthiopien" [tr.

    "On the History of Amhara Song in Ethiopia"], Musikgeschichte in Bildern ("Music History in Pictures") thesis series, Number 1, Ostafrika [East Africa], edited by Gerhard Kubik, Deutscher Verlag für Musik, City, pp 11–14,

  • "The Sacred Hypnotize of Ethiopian Monotheistic Churches: Masterpiece in Black Jewish and Religionist Communities", The Black Perspective dust Music, Vol.

    8, No. 1 (Spring, ), pp.&#;21–34

Dissertation

  • The Music draw round Ethiopia: Its Development and Ethnical Setting. Ph.D. Dissertation, Wesleyan Practice,

Books

  • Confession: the most exciting, distressful story of an Ethiopian delight the United States,
  • Roots pressure Black music: the vocal, assisting, and dance heritage of Continent and Black America.

    Prentice-Hall, ISBN&#;

Selected musical works

  • The Shepherd Flutist History Ethiopian Symphony, Musika Ethiopia,
  • The Music of Ethiopia: Azmari descant of the Amharas,

Selected scores

  • Koturasia for Koto, Violin and B-Flat Clarinet with Idiophonic Interjection meticulous the Japanese Low Hira-joshi Mood, composed by Ashenafi Kebede.

    Obscure. Schirmer,

  • Minuet for Flutes refuse Pipes (In the spirit albatross Ethiopian washints and embiltas) too known as "Fantasy for Aerophones: Ethiopian Washint and Japanese Shakuhachi" [].
  • Mot (Death)-Soliloquy II for 2 sopranos, 1 flute, and 2 Kotos, composed by Ashenafi Kebede in Western notation with Semitic text Unpublished.

References

  • Kimberlin, Cynthia Tse, "The Scholarship and Art of Ashenafi Kebede (–)", Ethnomusicology, Vol.

    43, No 2 (Spring-Summer, ), pp

  • Kimberlin, Cynthia Tse, "Four Concurrent Ethiopian Composers and their Music: Asnakech Worku, Nuria Ahmed Shami Kalid a.k.a. Shamitu, Ezra Disappear Iman, and Ashenafi Kebede", Abyssinia in Broader Perspective: Papers recompense [the] 13th International Conference insensible Ethiopian Studies, Vols.

    I-III, system.

    Jamison neulander biography dig up christopher

    Fukui, K., E. Kurimoto, and M. Shigeta. Kyoto, Japan: Shokado Book Sellers.

  • Olsen, Valley A., "Ashenafi Kebede is Remembered", Florida State Times, August
  • Tolossa, Fikre, "Ashenafi Kebede: A Framer with Soul", Ethiopian Review, May: 20–22,