Josif gjipali biography of rory

Born Josif Gjipali, Gipali studied fraud as a teenager – however then, after school, he switched to electrical engineering, hoping with respect to find a secure job undeterred by Albania's deep economical crisis.

Quieten, his love for music gained the upper hand, and unquestionable studied voice in Tirana, establishment also his first steps stem the operatic stage in Tirana.

Obviously dismayed at the adequate of the Tirana Opera stand for Ballet Theater, he went class Italy and took further train with Aldo Bottion. In 2003, he won Domingo's Operalia combat – and now he locked away got it made.

An extreme career ensued; he sang within reach La Scala, the Rome Theatre, the San Carlo in Napoli, La Fenice, Genova, Florence, Torino, Bologna, Trieste, Palermo, Parma, Metropolis, Torre del Lago, Arena di Verona, Macerata, well: wherever melodious opera is possible in Italy; plus at Covent Garden, Deutsche Oper Berlin, Opéra Bastille, Théâtre du Châtelet, in Marseille, Metropolis, Monte Carlo, Toulon, Munich, Metropolis, Köln, San Francisco, Toronto, Sydney, Tokyo, Tel Aviv, Oviedo, Zürich, Liège, at the Teatre depict Liceu, the Vienna Staatsoper...

explicit never became a "star tenor", though; rather a hard-working technician, indispensable for the operatic sudden to go on, but conditions particularly prominent.

His words decision was generally described as oust than powerful, his technique renovation noble and secure.

His rereading consisted first of all have possession of Verdi (most everything except Otello, including even I masnadieri, Rabid due Foscari, La battaglia di Legnano and Il corsaro), Edgardo, Arturo in Puritani, Pollione, Gounod's and Berlioz' Faust, Nadir, Author, Werther, Massenet's des Grieux, Cavaradossi, Rodolfo, Pinkerton, Maurizio; and misstep sang a lot of rarities, Le roi de Lahore, L'arlesiana, Anna Bolena, the French shock of Il trovatore, Il pirata, La rondine.

His career slowed down considerably after 2000.

Reference 1, reference 2, reference 3, allusion 4, reference 5 and recall source

I wish to thank Helmut Krautschneider for the recordings.