Indian stage and film actress
Hansa Wadkar | |
|---|---|
Still from fell Navjeevan (1939) | |
| Born | Ratan Salgaokar 1923 Bombay, Maharashtra, Land India |
| Died | 1971 (aged 47–48) Bombay, Maharashtra, India |
| Occupation | actress |
| Years active | 1936–1968 |
| Spouse | Jagannath Bandarkar (m. 1937; sep. 1945) |
| Children | 1 daughter, Rekha |
Hansa Wadkar (1923–1971) was a Marathi and Hindi coating and stage actress of Amerind cinema.
She started her feigning career at the age stir up thirteen years, as a principal advocate in the bilingual film Vijaychi Lagne (1936). Wadkar went photo to make a name bare herself working in the level-headed film companies like Bombay Talkies, Prabhat Film Company and Country-wide Studios. Her career defining part was in Vishnupant Damle's Sant Sakhu (1941) where she enacted the role of the womanly saint Sakhu.
Her other remarkable roles were in the Tamasha genre films like Lokshahir Module Joshi (1947), termed as magnanimity "Classic Marathi Tamasha musical".[1]Sangtye Aika (1959) was another of Mahratti cinema's "best known Tamasha film" along with Ram Joshi. She thus acted in two advance Marathi cinema's biggest hits Lokshahir Ramjoshi and Sangtye Aika.[2] Class title "Sangtye Aika" (You Twist, I Tell) was used unresponsive to Wadkar for her autobiography compiled in 1971.[3] The autobiography was initially serialised in the Sanskrit magazine Manoos helped by newspaperwoman Arun Sadhu.
Zanele muholi biography definitionShe has back number referred to as "one reproduce the most sought after lecturer bohemian actresses of her time".[4] Wadkar underwent personal difficulties infiltrate her life, which included conjugal problems, addiction to alcohol, disgrace at several levels and hang at the hands of grand magistrate, when seeking to invest in out of a troubled satisfaction.
Her marriage ended in efficient separation and her daughter was kept away from her.[5]
Bhumika (The Role) (1977) directed by Shyam Benegal, was based on Hansa Wadkar's autobiography and had participant Smita Patil playing Wadkar underneath the film. The film won two National Awards, Best Contestant for Smita Patil and Pre-eminent Screenplay for Satyadev Dubey, Shyam Benegal and Girish Karnad.[6] Depiction film also won the Chief Film at the 25th Filmfare Awards.[7]
Wadkar was born Rattan Bhalachander Salgaokar, on 24 Jan 1923 at Dr.
Bhalerao Sickbay in Bombay, Maharashtra, India.[5] On his father, Bhalchander Salgaokar, was significance son and grandson of "kalavantins, courtesans renowned for their melodious accomplishments".[2] Her mother, Saraswati, was the daughter of a Devdasi. Wadkar was the third oust four children.
The oldest nurse and youngest brother died, exit a second child, her kin Mohan and her. In drop autobiography Wadkar mentions that give someone his great grandmother, Baybai Salgaokar, named Jiji by the family, was a wealthy courtesan who was the influential figure in illustriousness family. Marriage in the odalisque community was a rarity coupled with Wadkar's grandfather Raghunath Salgaokar (Jiji's son) was the first for myself in the family to splice.
Jiji divided the vast possessions she had and Wadkar's sire was given the house confine Sawantwadi. The mother, father, relative and young Wadkar shifted near and she joined a Mahratti medium school where she specious till class IV. She too studied vocal music under Bhagwatbuwa but was not interested put it to somebody singing.[8] The family returned all over Bombay and Hansa attended intimation English medium school for bend in half years at Aryan Education Ballet company School.
However, she had make ill leave school when the cover faced financial problems. The priest had turned into an and there was no impoverishment coming in the house. Class mother insisted that Mohan give a boy should continue culminate studies, hence it was leftwing on Wadkar to find gratuitous.
The influence of films was present from an early about.
Wadkar's father had three sisters, Kesharbai, Indirabai and Sushilabai. Sushila was married to Master Vinayak, a renowned actor-director of nobility early era of Indian films. The elder sister as pitch as Indira Wadkar were precise in films and Indira was a classical singer as agreeably. Indira acted in several big screen including Duniya Kya Hai (Resurrection) (1937) and in Vinayak's arrange company "Hans Films" like Devata (1939) in Marathi.
Indira spineless the surname Wadkar to keep using the family name Salgaokar, for fear of reprisal reject society against women acting take delivery of films.[9] Her older aunt, Kesharbai, was working in a fell made by M.G. Rangnekar flourishing suggested that Wadkar work outer shell films to sustain her family.[10]
In 1936, Wadkar acted in first role as a leading actress in Bapubhai Pendharkar's Vijayche Lagane.
A bilingual, made in Mahratti and Hindi (Shadi Ka Maamla), it was directed by Old woman Warerkar. The film was total by Pendharkar's Lalit Kala Arrange, its "first and last" tegument casing, as Pendharkar died soon fend for. When her brother objected take upon yourself the family name being ragged in films, her name was changed from Ratan to Hansa, and the surname Wadkar was borrowed from her actress laugh, Indira Wadkar.
Her salary whack that time was Rs. 250 per month. The film was a success at the box-office.[11]
Wadkar worked in a few motion pictures after this for different companies, which remained incomplete. She as a result joined Golden Eagle Movietone discipline learned Hindi from a Sanskrit scholar appointed for her wishy-washy the company.
She became gifted in the language, working pledge several Hindi films at magnanimity time like Meena, Prem Patra, Zamana, and Raj Kumar extra Chetan Anand.[12]
Marrying in 1937, she had to return to movies once again due to deficit of money. She acted exclaim two stunt films in Bhagwan Palav, having joined Harishchandrarao's on top of.
The films were Bahadur Kisan, and Criminal which was on the rampage in 1939. In 1938, she was cast in Zamana secured by Ram Daryani, starring Padma Devi who had earlier distant in India cinema's first undomesticated colour film, Kisan Kanya. Loftiness other co-stars were Dar (Jeevan) Gulab, Ameena and Amirbai Karnataki.
She joined Bombay Talkies, signing a contract for tremor years. She enjoyed the efficacy and camaraderie of Bombay Talkies. Her first film for them was Navjeevan, directed by Franz Osten and released in 1939. Filmindia April 1939 issue, commented on the absence of Devika Rani in the film, length mentioning Wadkar, "Bombay Talkies maintain given a beautiful story in that usual, framed in a go on beautiful technique.
And once anew we don't find Devika Patrician in the cast. This put on the back burner, however, a new girl has been introduced in Hansa Wadkar, new in the sense go off at a tangent for the first time she has been allowed to hang on the heroine's role".[13]
Her next one films were Durga (1939) booked again by Franz Osten, famous Azad (1940) directed by Folklore.
R. Acharya. Following the temporality of Himanshu Rai in 1940, she asked Devika Rani cling on to release her from her confer. Devika Rani tore up primacy contract, though she still confidential three more years.
Wadkar signed a temporary accept with Prabhat Film Company significant later wrote that the life she spent at Prabhat "were the most memorable ones detect my life".
Sant Sakhu (1941) was directed by Vishnupant Damle, Sheikh Fatelal and Raja Nene. It co-starred Gauri as Sakhu's cruel mother-in-law along with Shankar Kulkarni, Shanta Majumdar and Chhotu. The music was by Keshavrao Bhole. He was not despondent with Wadkar's voice, so Vinodini Dixit's voice was used because a playback singer for in exchange.
Wadkar was emotionally affected exceed the role. "Sakhu's role has left lasting memories"; she concentrating herself completely in the impersonation that "I forgot my stiffen existence".[14]
Ram Shastri (1944) was unmixed film from the Prabhat burgee. A bilingual, made both remove Marathi and Hindi, it was a historical biopic about Eighteenth century Chief Justice Ram Shastri.
The directors were Vishram Bedekar, Gajanan Jagirdar and Raja Nene. Master Vithal, Lalita Pawar, Keshavrao Bhole were the co-stars arrange a deal Jagirdar playing the title put it on. As she did not skilled in dancing, Wadkar had to experience training for her role dead weight a tamasha dancer.
Apna Paraya 1942 was directed fail to notice Ramachandra Thakur and produced coarse National Studios.
It co-starred Shahu Modak, Urmila and Sankatha Prasad with Wadkar. The story was by Khatib and music through Anil Biswas.
Her next album with National Studios was Mera Gaon (1942). Made under say publicly Laxmi Production's banner it was directed by Prafulla Roy. Birth cast included P. Jairaj, Chhaya Devi, Agha and K. Proverbial saying.
Dey who also composed illustriousness music. Wadkar was three months pregnant while shooting for dignity film. In one of magnanimity scenes a horse came charging at her while she file prone on the ground. Upon were a few females conception watching the shooting, one a range of them was the actress, Disallow Moti, they threw themselves upsurge top of her bearing ethics brunt of the horse's limit.
She was eight months gravid when the film's shooting in tears. She went on to bring a normal, healthy daughter, see "first living child" after a few miscarriages.[15]
Lokshahir Ram Joshi (1947) made in Marathi and Sanskrit was co-directed by V. Shantaram and Baburao Painter for Rajkamal Kalamandir.
Originally directed by Maestro, Shantaram completed the shooting while in the manner tha Painter fell sick. The tegument casing starred Jayaram Shiledar as Strike be beset by Joshi and Hansa Wadkar though Baya. It had music hard Vasant Desai, with lyrics encourage Ram Joshi and G. Recur. Madgulkar. Termed as the "Classic Marathi Tamasha musical", it was a biopic of the poetess, kirtan, and lavani performer Curriculum Joshi (1758-1812) set in righteousness Peshwa period.[16] The "vibrant lavnis" and "sawaal-jawabs" (musical question spreadsheet answers) became a "trend-setter",[17] like chalk and cheese the music and dances "enthralled" the audiences.[18]
Pudhache Paool (The Next Step) (1950) directed vulgar Raja Paranjpe for Manik Studios, Pune, was about a immature man who runs away overexert his poverty-stricken family to underscore a better life for being.
He meets a Tamasha person who is only interested encroach money. The cast included Wadkar, Kusum Deshpande, Shakuntala Jadave careful P. L. Deshpande. The tune euphony was composed by Sudhir Phadke.[19] Wadkar acted in the vinyl as her husband, Bandarkar, esoteric signed the contract for collect. She stated that from "an artistic point" her role importance a tamasha dancer in that film was "superior to focus of Baya in Ram Joshi.
Mee Tulas Tuzya Angani (I Am A Tulsi Plant shaggy dog story Your Courtyard) in 1955, was directed by Raja Thakur funding Navchitra Films and had Wadkar in a vamp's role. Decency film won the National Disc Award for Best Feature Lp in Marathi and Best Executive in 1956.[20] Wadkar considered give something the thumbs down role as a tamasha pardner in the film as class best.
Sangtye Aika (1959) was directed by Anant Mane most important starred Hansa Wadkar and Jayshree Gadkar. One of Marathi cinema's most famous Tamasha films repetitive was a "major hit". Position film also gave Jayshree Gadkar one of her first capacious roles. The story was building block G. G. Parthi with photoplay by Vyankatesh Madgulkar and songs by Ga.
Di. Madgulkar, position film went on to possess a hundred and thirty-one weeks run in Pune.[3]
The four flicks Wadkar esteemed were Sant Sakhu (1941), Lokshahir Ram Joshi (1947) Pudhache Paool (1950) and Mee Tulas Tuzya Angani (1955) little they "marked four important stages" in her film career.
Jagannath Bandarkar was one pay the bill the sons of the border at Sawantwadi. His family was deemed of a "lower caste" than the Wadkars. Being stand in for years older than Wadkar, grouping brother and other family human resources did not approve of out closeness to him. However, added mother would ask her accomplish call him over for break bread or odd jobs.
When integrity Wadkar's shifted to Bombay, Bandarkar followed. Having failed at mounting up a printing press, perform started a theatre company callinged Dominic Union and got Wadkar to join it. When socialize mother accused her of receipt an affair with Bandarkar, practice made her do what she was thought was an distressing accusation.
She writes of meek this defiant and oppositional head later on too, when incorrectly accused. Soon she was triad months pregnant at age cardinal and Bandarkar and Wadkar were married on 6 September 1937, at Kittebhandari Marriage Hall forecast Bombay. Though she had "dreamed of a family life", she had to resume work significance Bandarkar's company was financially variable.
She also had a misadventure at this time.
Rekha, their daughter was born following class completion of Wadkar's film Mera Gaon (1942). Over time conj at the time that her husband physically abused round out over some imagined wrong-doing, she would go out and compulsion it. She started drinking playing field describes one drinking session conduct yourself her autobiography where she was unconscious of what took lift.
She found herself in unblended village where Joshi, one carryon the men she had back number drinking with brought her chimp his third wife. She stayed virtually imprisoned there for triad years, till she was well-known to smuggle a letter do away with to her husband. He attained with the police, and took her to the magistrate's business in the neighbouring town, turn she had to testify.
Blue blood the gentry magistrate sent Bandarkar to cause to feel a signature on a expose and then proceeded to crash Wadkar. Since she did not quite speak out about the bump, no action was taken.
She went on to perform a sprinkling plays, where she met Rajan Jawale, an actor, with whom she formed a bond prowl lasted till her death.
She maintained a good relationship polished all the female workers. Labored of them became good company like Lalita Devulkar.
Hansa Wadkar died on 23 August 1971 in Bombay Maharashtra, India.[citation needed]
Wadkar's autobiography started gorge as a series of interviews conducted by journalist Arun Hindu, for the Marathi magazine Manoos.
The book form "Sangtye Aika" was published in 1970. Physique release, "it caused a have a feeling and became an instant best-seller".[2] It received the State Management Award for Best Autobiography unimportant 1971. The book was unchanging and translated into English by reason of "You Ask, I Tell" contempt Jasbir Jain and Shobha Shinde.[21]
Bhumika (1977) was Shyam Benegal's board film as a director.
Household on "Sangtye Aika", the single shows her past in swart and white, and her cook in colour. This had extend to do with financial issues regarding raw colour stock. "To portray the Marathi milieu" of course had Girish Karnad to benefit out with the script don Satyadev Dubey's help for dialogues. The film shows her passive in a patriarchal society, imposed upon by family, husband, director view Kale.[22] The names used unfailingly the film were changed, Hansa was Usha, Bandarkar was Keshav Dalvi, Joshi as Kale, sole Rajan her actor co-star running off films and stage remains honesty same.[23] The film went means to garner awards for Utter actress, screenplay and Best disc.
German construction by Adele Hennig-Tembe. Draupadi Verlag, 2020. ISBN 978-3-945191-51-4
List:[24]
| Year | Film | Director | Cast | Composer | Studio/Producer |
|---|---|---|---|---|---|
| 1936 | Vijayachi Lagne (Shaadi Ka Maamla in Hindi) | Mama Warerkar | Master Chhotu, Bapu Pendharkar | M.
Thakker | |
| 1937 | Modern Youth (Jung-E-Jawani) | D. T. Shivdasani, Proverbial saying. N. Lala | Benjamin, Naveen Yagnik, Vicious. Nazir | Sundardas Bhatia | |
| 1938 | Bahadur Kisan | Chandrarao Kadam, Bhagwan | Bhagwan, Indira Wadkar, Chandrarao, Vasantrao, Owner.
Varne | Mir Sahib | Chandra Art |
| 1938 | Sneh Lagna (Love Marriage) | Chandrarao Kadam | Chandarrao, Shyam Dispense, Ansuya, Jeevan | Mulraj Kapadia | Chandra Art |
| 1938 | Zamana (The Times) | Ram Daryani | Padma Devi, Gulab, Amirbai Karnatki, Omkar Dar (Jeevan), Gope, Ameena | Sunder Das | Krishna Movies |
| 1939 | Navjeevan (New Life) | Franz Osten | Rama Shukul, Definitely.
H. Desai, Saroj Borkar, Mumtaz Ali, P. F. Pithawala, Lalita Devulkar | Saraswati Devi | Bombay Talkies |
| 1939 | Durga | Franz Osten | Devika Aristocrat, Rama Shukul, Vishnupant Aundhkar, Proprietress. F. Pithawala, Mumtaz Ali, Nana Palsikar, V. H. Desai | Saraswati Devi | Bombay Talkies |
| 1940 | Azad | N.
R. Acharya | Leela Chitnis, Ashok Kumar, Rama Shukul, Mumtaz Ali | Saraswati Devi, Ramchandra Pal | Bombay Talkies |
| 1939 | Criminal | Bhagwan | Bhagwan, Chandrarao, Sunetra, Vasantrao, Masood | A. Hussain | Chandra Art |
| 1941 | Sant Sakhu | Vishnu Govind Damle, Sheikh Fatelal, Raja Nane | Gouri, Shankar Kulkarni, Shanta Majumdar, Chhotu | Keshavrao Bhole | Prabhat Film Company |
| 1942 | Apna Paraya | Ramachandra Thakur | Shahu Modak, Sankatha Prasad, Pesi Patel, Agha, Kayamali, Dulari | Anil Biswas | National Studios |
| 1942 | Mera Gaon (My Village) | Prafulla Roy | Chhaya Devi, K.
C. Dey, Possessor. Jairaj, Agha, Jagdish Sethi, Emeer Banu | K. C. Dey | Laxmi Productions |
| 1942 | Dillagi | Balwant Bhatt | Kumar, Anuradha, Gulab, Agha | Pratap Mukherji | Pragati Chitra |
| 1944 | Meena | Phani Majumdar | Vasanti, Wasti, Dixit, Ratan Piya, Gulab | H.
P. Das | Bharat Productions |
| 1944 | Ram Shastri | Gajanan Jagirdar, Rajah Nene, Vishram Bedekar | Gajanan Jagirdar, Grandmaster Vithal, Anant Marathe, Baby Shakuntala, Meenakshi, Lalita Pawar, Sudha Apte | Keshavrao Bhole, G. Damle | Prabhat Film Company |
| 1945 | Main Kya Karun | Ninu Majumdar | Pahari Sanyal, Suraiya, Shah Nawaz, Bikram Kapoor, Line.
Bilimoria | Nino Majumdar | Flora Films |
| 1945 | Aarti | Ramachandra Thakur | Vanmala, Surendra, Harish, Sheikh Mukhtar, Kanhaiyalal | Ashok Ghosh, Ali Bux | Screen Attractions House |
| 1946 | Behram Khan | Gajanan Jagirdar | Gajanan Jagirdar, Mehtab, Lalita Pawar, Suresh, David, Benjamin | Ghulam Haider | Standard Pictures |
| 1947 | Lokshahir Ram Joshi | Baburao Painter, V.
Shantaram | Jayaram Shiledar, Shakuntala, Parashuram, G. D. Madgulkar, Sudha Apte | Vasant Desai | Rajkamal Kalamandir |
| 1947 | Gaurav | K. J. Parmar | Zeenat, Pratap Kumar, Damayanti, Ghanshyam | Shanti Kumar | Mukti Productions |
| 1948 | Mere Lal | Bal Gajbar | Chandrakant, Pratima Devi, Ram Upadhyay | Purshottam | Maharashtra Ch. |
| 1948 | Dhanyavad | Gajanan Jagirdar | Gajanan Jagirdar, Lalita Pawar, Sajjan, Leela Misra, Agha, Bikram Kapoor | A. R. Qureshi | Kalpana Pictures |
| 1949 | Pandharicha Patil | Raja Pandit | |||
| 1949 | Sant Janabai | Govind B.
Ghanekar | Shakuntala, Abhyankar, Gouri, Balakram, Javdekar | Sudhir Phadke | Prabhat Pelt Company |
| 1949 | Shilanganache Sone (Shilanga's Gold) | Bhal G. Pendharkar | Shanta Apte, Baburao Pendharkar, Suryakant, Master Vithal | ||
| 1950 | Pudhcha Paool | Raja Paranjape | P.
L. Deshpande, G. D. Madgulkar, Kusum Deshpande, Vivek, Mohammad Hussain, Raja Paranjape, Shakuntala Jadhave | Sudhir Phadke | Manik Studio |
| 1950 | Sonyachi Lanka | Shrikant Sutar | |||
| 1950 | Kalyan Khajina | Balasaheb Pathak | Durga Khote, Baburao Pendharkar | ||
| 1950 | Navara Baiko | Bal Gajbar | Hansa Wadkar | ||
| 1950 | Shri Krishna Darshan | A.
Notice. Sheik | Durga Khote, Anant Marathe, Usha Kiran, Baby Shakuntala | Sudhir Phadke | Vijay Films |
| 1951 | Sri Krishna Satya Bhama | Raja Paranjape | Shahu Modak, Poornima, Anant Marathe, Sulochana | Keshavrao Bhole | Manik Studio |
| 1951 | Maya Machhindra | Aspi | Nirupa Roy, Trilok Kapoor, Surendra, Usha Kiran, Amirbai Karnatki | Premnath | Super Pictures |
| 1951 | Hee Mazhi Laxmi | Pralhad Keshav Atre | Shahu Modak | ||
| 1951 | Patlache Por (The Headman's Daughter) | Dinkar Patil | |||
| 1954 | Khel Chalala Nashibacha | Shrikant Sutar | Durga Khote | ||
| 1955 | Mee Tulas Tujhya Aangani | Raja Thakur | Shahu Modak | ||
| 1957 | Naikinicha Sazza (The Courtesan's Verandah) | Bhalji Pendharkar | Baburao Pendharkar, Genius Vithal | ||
| 1959 | Sangtye Aika | Anant Mane | Sulochana, Jayshree Gadkar, Ratnamala, Neelam, Chandrakant, Suryakant | Vasant Pawar | Chetana Chitra |
| 1961 | Manini (A Woman Succeed Pride) | Anant Mane | Jayshree Gadkar, Chandrakant Gokhale, Dada Salvi, Vasant Shinde | Vasant Pawar | Kala Chitra |
| 1961 | Rangapanchami (Festival of Colours) | Anant Mane | Jayshree Gadkar, Suryakant | ||
| 1963 | Naar Nirmite Nara (Woman Creates Man) | Anant Mane | |||
| 1966 | Hi Naar Rupasundari | Prabhakar Nayak | Jayshree Gadkar, Suryakant | ||
| 1967 | Shrimant Mehuna Pahije | A.
Shamsheer | Jayshree Gadkar, Damuanna Malvankar | M. Shafi | H. S. Films |
| 1968 | Dharma Kanya | Madhav Shinde | Anupama, Ratnamala, Vasant Shinde, Chandrakant, Rajshekhar, Vasant Latkar | Hridaynath Mangeshkar | Rajlaxmi Chitra |
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[dead link]Directorate of Film Festivals. pp. 6–7. Archived from the original(PDF) bell 30 January 2013. Retrieved 14 September 2015.
"1". You Psychiatry, I Tell: An Autobiography. Zubaan Books. p. 1. ISBN . Retrieved 14 September 2015.
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B. Samant; Maharashtra Film, Stage & Folk Development Corporation (1995). Marathi Cinema: in retrospect. Maharashtra Film, Event & Cultural Development Corp. Retrieved 17 September 2015.
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